So, what I'm gathering from your comments, Robert, is the following scenario:
1. The money comes onboard 305 - the who, how, and where we'll leave for another day to discuss.
2. Passengers leave 305. One tries to get back on and Rataczak radios Al Lee to secure the steps.
3. The passengers huddle at the foot of the stairs waiting for the bus, and an FBI appears from somewhere - maybe "John" from Larry Finegold's commentary, or maybe John Detlor, and he tells the passengers that they have been hijacked.
4. The bus comes for the passengers. The FBI agent standing with the passengers gets on the bus with them, or there are other FBI agents arriving and a couple get on the bus. At least one has a roll-call list - that is currently lost or unavailable to the public. But that agent and that list definitively know that Cooper, D. is the skyjacker.
5. Owen McKenna, the Homicide Decretive from the Seattle PD is no longer around, apparently, or has no further role, or somehow just doesn't do anything important enough to get into anybody's report.
6. Al Lee, who was riding with McKenna, is in a car, apparently, with the four chutes.
7. Alice and Flo join Lee in the car, waiting for a ride to the terminal. For some reason they do not assist Tina in transporting the four chutes onto the plane.
8. Tina makes three trips to the car to ferry the chutes to Cooper.
9. Al Lee says Tina looks emotionally shaken and slow to respond verbally to his inquiries. Alice and Flo apparently make no overtures to Tina, nor attempt to assist her.
10. When all the chutes are aboard 305, Al Lee is free to leave. He finally gives Alice and Flo a ride to the terminal. Presumably Owen McKenna is also in the car and rides to the terminal with them.
11. The FAA agent that is mentioned in the transcripts is apparently left to fend for himself.
12. The fuel truck driver, #1, leaves after his "vapor lock" caper fails. He drives off alone with his thoughts and fantasies, later realized in TV interviews and a certain newspaper reporter's cache of information.
Is this about it, Robert?